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Beethoven manuscript3/22/2023 ![]() ![]() 20, also written in 1799 a tentative explanation is advanced by van der Zanden, p. Nohl), also by a different, early hand: "Der Schluß von seinem letzten Septuor als Motto für den Text" (apparently referring to Beethoven's Septet, Op. At the head of the first page is the "mysterious caption" (cf. ![]() Both leaves annotated with Beethoven's name in a near-contemporary hand. Occasional quite insignificant brownstaining altogether very crisp. Nohl has pointed out that the present first draft with its "dramatic, aria-styled phrasings" retains a somewhat "grandiose and dark quality" as compared to the reduced later version, and "if one were to interpret the urgent stride so vividly apparent in this sketch, dashed off, as it seems, without a single interruption and in a mood of deep emotional excitation, then one feels instinctively that forces of an even greater passion than such as Bettina could have aroused in Beethoven must have been at work here" (cf. In 1811 Beethoven presented a manuscript copy of that second version, the first leaf of which is also kept in Bonn (while most of the remainder is at the Pierpont Morgan Library in New York), to Bettina Brentano on the occasion of her wedding to Achim von Arnim. "Il s'agit du monologue d'un amant que la rencontre d'un nouvel amour a bouleversé au point de ne plus savoir où il en est : sa tentation est alors de fuir ce qui le rend étranger à lui-même" (E. Beethoven subsequently revised his work (the manuscript of that revision, dated "1809", is today kept at the Beethoven Haus in Bonn) and published it the following year with Breitkopf & Härtel in Leipzig as part of his "Sechs Gesänge" (Op. The lied in its present version (WoO 127) was published in early 1808, nearly a decade after this first sketch, by Simrock in Bonn as the first part of the "III deutsche Lieder", apparently without the composer's consent. 1, composed between 17, published in 1801), providing the violin voice with the theme chorus of triplets. At the head of the page, written in a different ink and pen and comprising the first four staves, are the first eight bars of the finale of Beethoven's String Quartet No. The present sketch, jotted down without interruptions in a very cursory, almost rushed hand already contains the melody and the words with no expression markings, but includes occasional bass sections as well as parts of the piano accompaniment at the end of verses it shows several important departures from the version printed in 1810. Your personal data will be used to support your experience throughout this website, to manage access to your account, and for other purposes described in our privacy policy.įirst draft for the lied "Neue Liebe, neues Leben", a setting of a 1775 poem by Johann Wolfgang von Goethe, begun in late 1798. ![]()
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